| 6 |
https://beta.musicbrainz.org/recording/adba871c-037e-4b18-99ec-0d7efe967471 |
“Romeo and Juliet” Fantasy-Overture |
| 4 |
https://beta.musicbrainz.org/recording/cc0a2384-9344-4b88-a049-6a8781544e58 |
Aufenthalt |
| 4 |
https://beta.musicbrainz.org/recording/ebad6ad1-4908-4135-91cc-fb1ad268540a |
Chorus and Mother’s lament from Mazeppa |
| 4 |
https://beta.musicbrainz.org/recording/942eb83a-eba2-4262-8839-f3dabf587af0 |
Concerto in d-Moll, BWV 596 (after Vivaldi’s Conce |
| 4 |
https://beta.musicbrainz.org/recording/dde3f6cc-5be1-47ab-bc22-d9ffcd117c78 |
Das Rheingold: Erste Szene: “Wallala! Lalaleia! Le |
| 4 |
https://beta.musicbrainz.org/recording/ef104b9b-0bb5-43f6-ac21-6f6e7aabe6e3 |
Das Rheingold: Scene 1: “Weia! Waga! Woge du Welle |
| 4 |
https://beta.musicbrainz.org/recording/3c1d0d01-ebfc-4461-a659-6b532d9d725f |
Das Rheingold: Scene I. »Garstig glatter glitschri |
| 4 |
https://beta.musicbrainz.org/recording/02cbd501-d2df-4c2d-99ed-eb159d00d34b |
Das klagende Lied: I. Waldmärchen |
| 4 |
https://beta.musicbrainz.org/recording/28567de6-8241-47b4-9769-47e3a1367258 |
Eugen Onegin |
| 4 |
https://beta.musicbrainz.org/recording/e8074ef1-200e-4456-813f-87071d3d26dc |
Eugen Onegin: Förbi, förbi - Lenskij’s arie |
| 6 |
https://beta.musicbrainz.org/recording/3ddc36ce-202e-4edc-b210-b49bc41ff835 |
Legend 3: Lemminkainen in Tuonela |
| 4 |
https://beta.musicbrainz.org/recording/0f44f163-b6ef-46cd-84e4-2ec088e02eee |
Liebestraum no. 3 in A-flat major, S. 541 no. 3 |
| 4 |
https://beta.musicbrainz.org/recording/f10434a3-a82b-4efe-afa3-f6312f61d01b |
Lohengrin: Act I, Scene I. “Dank, könig, dir, daß |
| 4 |
https://beta.musicbrainz.org/recording/e2f4cd1c-ba45-45f1-a6ac-ef6b91101b7e |
Lohengrin: Act I, Scene I. “Welch fürchterliche kl |
| 4 |
https://beta.musicbrainz.org/recording/93c9c581-f0db-4c95-8975-cabcd6bc807a |
Lohengrin: Act II, Scene I. “Der rache werk sei nu |
| 4 |
https://beta.musicbrainz.org/recording/3f95bbe9-7ac6-4007-8957-30704eb69a80 |
Lohengrin: Act II, Scene I. “Du wilde seherin! wie |
| 4 |
https://beta.musicbrainz.org/recording/8140180f-b2a4-4d0a-b643-fed7d1079ca1 |
Lohengrin: Act II, Scene I. “Erhebe dich, genossin |
| 4 |
https://beta.musicbrainz.org/recording/7aa3fa5e-647f-49f8-afc9-22173108d2fa |
Lohengrin: Act II, Scene II. “Du ärmste kannst woh |
| 4 |
https://beta.musicbrainz.org/recording/5b950413-13d1-4707-9275-893529960084 |
Lohengrin: Act II, Scene II. “Elsa!.. - wer ruft?” |
| 4 |
https://beta.musicbrainz.org/recording/1d613ff5-c396-421e-8523-dc80aa6b391b |
Lohengrin: Act II, Scene II. “Entweihte götter! he |
| 4 |
https://beta.musicbrainz.org/recording/b6778293-a5ab-41fc-8d4c-1d80ecf4de48 |
Lohengrin: Act II, Scene II. “So zieht das unheil |
| 4 |
https://beta.musicbrainz.org/recording/7f1d7dd4-9e63-4380-8a56-5b147ae7b9b2 |
Lohengrin: Act II, Scene IV. “Du Lasterin! Ruchlos |
| 4 |
https://beta.musicbrainz.org/recording/49de1905-80aa-41fe-99a0-e6ed295217de |
Lohengrin: Act II, Scene IV. “Zurück, elsa! nicht |
| 4 |
https://beta.musicbrainz.org/recording/87b28178-1bd8-427d-840d-48f0b4e61475 |
Lohengrin: Act II, Scene V. “Den Dort Im Glanz Ich |
| 4 |
https://beta.musicbrainz.org/recording/6a1ebfb4-2ee2-4b82-b0df-b62549c09bc6 |
Lohengrin: Act II, Scene V. “Heil! heil dem könig! |
| 4 |
https://beta.musicbrainz.org/recording/02ae8034-e3d1-47ee-9f0a-14ae36b9f962 |
Lohengrin: Act II, Scene V. “O König! trugbetörte |
| 4 |
https://beta.musicbrainz.org/recording/fe842ef1-c1dc-46fd-86f9-fefc29eb7c38 |
Lohengrin: Act II, Scene V. “Welch ein geheimnis m |
| 4 |
https://beta.musicbrainz.org/recording/9023408a-9614-4ce2-9cde-1dbd4361d802 |
Lohengrin: Act III, Scene II. “Ach nein?” (Elsa, L |
| 4 |
https://beta.musicbrainz.org/recording/7f8e6d61-317a-469a-a467-cedbe22bfebd |
Lohengrin: Act III, Scene II. “Atmest du nicht mit |
| 4 |
https://beta.musicbrainz.org/recording/4ffe999a-ee98-4349-ac7f-0f9b18eb564f |
Lohengrin: Act III, Scene II. “Hilf Gott, was muß |
| 4 |
https://beta.musicbrainz.org/recording/ba9b040d-dfbb-4270-9eec-aa2f21b82789 |
Lohengrin: Act III, Scene II. “Höchstes vertraun h |
| 4 |
https://beta.musicbrainz.org/recording/d65f8600-0f0b-4a48-a533-d5a7958bb72c |
Lohengrin: Act III, Scene II. “Wie hehr erkenn’ ic |
| 4 |
https://beta.musicbrainz.org/recording/82383c0f-4107-4ab4-b603-9bb67671548f |
Lohengrin: Act III, Scene III. “Mein herr und köni |
| 4 |
https://beta.musicbrainz.org/recording/85b7a07d-99fc-47d1-b6ed-dc03f5c8d621 |
Lohengrin: Act III, Scene III. “Mein lieber schwan |
| 4 |
https://beta.musicbrainz.org/recording/9c3d22a3-9d76-48a4-8179-8c3bee0c6f84 |
Lohengrin: Act III, Scene III. “Mir schwankt der b |
| 4 |
https://beta.musicbrainz.org/recording/0b9627f3-f75b-4979-93f4-a513f12ccfc6 |
Lohengrin: Act III, Scene III. “Was bringen die? W |
| 4 |
https://beta.musicbrainz.org/recording/a4aebfb2-277e-4219-8f03-df3304b2e5e8 |
Lohengrin: Act III, Scene III. “Weh! weh! du edler |
| 4 |
https://beta.musicbrainz.org/recording/615cddcb-e4bb-4c6e-ae34-750213512604 |
Lohengrin: Chœur Des Fiançailles |
| 4 |
https://beta.musicbrainz.org/recording/39fc58ae-35d1-4ec1-bd50-0239dd196f60 |
Maid of Orleans |
| 4 |
https://beta.musicbrainz.org/recording/71851342-8a24-4e91-82e8-c3299c5fdfbc |
Mozartiana Suite fur Orchester no. 4, op. 61: III. |
| 4 |
https://beta.musicbrainz.org/recording/646340ac-1aa6-4a2f-9594-fc90ac2ee157 |
Organ Concerto In A Minor, BWV 593 After Vivaldi’s |
| 4 |
https://beta.musicbrainz.org/recording/01a7e2ad-810c-4931-b7f7-6e8bba7b9df4 |
Pavane pour une infante défunte |
| 4 |
https://beta.musicbrainz.org/recording/506450cf-ac00-4023-a935-2ea41227a983 |
Satyagraha Act I, Scene I: Kuru Field of Justice |
| 4 |
https://beta.musicbrainz.org/recording/787a0acc-1cd4-4111-a179-7da439f17876 |
Stabat Mater, op.58, B. 71: Eia, Mater |
| 4 |
https://beta.musicbrainz.org/recording/428b1834-53c6-415d-81f0-686d4190bd69 |
Symphony no. 2: V. Im Tempo Des Scherzos. Wild Her |
| 4 |
https://beta.musicbrainz.org/recording/dcb1dfb7-25c8-452b-b961-d69b50df19ac |
Tanhäuser: Freudig begrüßen wir die edle Halle |
| 4 |
https://beta.musicbrainz.org/recording/aff998d0-a55b-43a5-8ea6-19f70de5b341 |
Tannhäuser: Act III, Scene I. “Beglückt darf nun d |
| 4 |
https://beta.musicbrainz.org/recording/cd43332a-aeb0-4c02-bfc5-27f6e8295760 |
Tannhäuser: Wie Todesahnung |
| 4 |
https://beta.musicbrainz.org/recording/ecd9ad3d-4bb4-4556-b09a-70c55651b4cc |
Tannhäuser: Wie Todesahnung Dämm’rung deckt die La |
| 4 |
https://beta.musicbrainz.org/recording/f1592d98-69e9-42e4-a7ac-aa3e3c0f5533 |
Tannhäuser: Wie Todesahnung… O Du, mein holder A |
| 4 |
https://beta.musicbrainz.org/recording/2912ed18-8646-4e7c-a26c-990659b6ed25 |
Tannhäuser: “Wie Todesahnung, Damm’rung deckt die |
| 4 |
https://beta.musicbrainz.org/recording/28758041-9297-401f-8468-4ddef6b52447 |
The Love for Three Oranges, op. 33: March |
| 4 |
https://beta.musicbrainz.org/recording/e06dbba5-0763-4ee4-9167-3231f5b2a5fa |
The Love for Three Oranges, op. 33: Scherzo |
| 4 |
https://beta.musicbrainz.org/recording/84c7491c-7d87-482f-bb8b-6c20cb1e6753 |
Wesendonk Lieder (Five Poems for Female Voice): “T |
| 4 |
https://beta.musicbrainz.org/recording/4fbc7601-1954-4e2a-ade7-957210d10461 |
ヨロコビノウタ |